Thank you to Flatiron Books at Macmillan Publishers for inviting me to participate in the Anna K blog tour! I received an advanced reader copy for review. Receiving this galley does not impact my opinion of the book.
"Every happy teenage girl is the same, while every unhappy teenage girl is miserable in her own special way."

But an unexpected encounter challenges Anna to reconsider the future laid out before her. When the teenager meets Alexia “Count” Vronsky, she questions, for the first time, whether she is truly enjoying her relationship with Alexander. As Anna ruminates on what she wants from young adulthood, conflict and romance abound in her wealthy clique. Steven, Anna’s older brother, cheats on his girlfriend Lolly; Kimmie, Lolly’s younger sister, wrestles with her identity after an injury disrupts her ice-skating career; and Dustin, Steven’s tutor, schemes for a relationship with one of Anna’s friends. When these tragedies and scandals, as well as Anna’s own infidelity, go public, the protagonist must redefine what love means to her.
Author Jenny Lee’s ability to make social criticism approachable for a teenage audience distinguishes Anna K.: A Love Story from other novels in the young adult space. For many teenagers, high school can be insulating, but also a time of self-discovery. The author navigates complex character circumstances in this context with ease, empowering young readers to engage old intersections and prejudices in modern society.
Anna K.’s exploration of class differences provides an example. The teen characters in Lee’s novel are filthy rich. Their parents’ wealth permits them access to the best schools, clothing brands, social events, and drugs. The opulence is, at times, thrilling to the audience. In Anna’s elite social world, the only concerns that matter are rooted in the superficial: who can deliver the most elaborate Valentine’s gift, throw the best parties, or cause the most dramatic scandal? However, when juxtaposed against the plights of a poorer character, Dustin, the once electrifying luxury becomes sickening in its waste. The luxury cars and Gucci gifts are no longer exciting, but excessive.
While ensconced in this wealth, Anna and her friends wrestle with high school politics that will be familiar to teen readers as they strive to assert identities distinct from their parents'. Kimmie, for example, realizes the shallowness of interactions based around class status after seeking professional treatment for depression. Although Anna recognizes that having an affair is morally wrong, her romance with Vronsky also allows her to accept that she deserves to control her own love and happiness.
The glimpse that Anna K. provides into the upper echelons of society serves as an interesting backdrop to examine gender expectations in both Korean communities and society more broadly. I took a particular interest in Lee’s approach to this subject because of my own background. My mother is a Korean immigrant, and, like the heroine Anna, I am biracial.
Lee’s discussion of sexism in Korean communities is a bit more heavy-handed, but unflinching in its depiction. Anna, though intelligent in her own right and largely considered to be an “obedient” Korean daughter, receives worse treatment from her parents than her older brother Steven. Steven regularly overspends family money and skips classes, but persistent patriarchal and hierarchical norms enable him to remain a respected son and anticipated future leader of the family. Both Anna and Steven have affairs. Yet only the older brother manages to recover his relationship and reputation with community support, while Anna faces pointed parental disapproval and social rejection. The protagonist must confront the fact that “Steven’s father’s pride was fierce, and his Korean heritage was deeply ingrained.”
Where Anna K. stumbles is in attempting to engage teenagers’ lingo. Many of the teen characters speak primarily in hashtags and acronyms, which comes off as awkward and unacquinated, especially for a young adult audience. In a description of Anna’s social circle, for example, Lee writes that “nearly everyone in this bunch had cheated on bfs or gfs before.” When a student manages to endure a full class schedule, one lazy character remarks, “Damn, you can do two classes in a row? Hashtag ballerbitch.” The teenagers exclusively refer to Valentine’s Day as “V-Day.”
Author Jenny Lee’s ability to make social criticism approachable for a teenage audience distinguishes Anna K.: A Love Story from other novels in the young adult space. For many teenagers, high school can be insulating, but also a time of self-discovery. The author navigates complex character circumstances in this context with ease, empowering young readers to engage old intersections and prejudices in modern society.
Anna K.’s exploration of class differences provides an example. The teen characters in Lee’s novel are filthy rich. Their parents’ wealth permits them access to the best schools, clothing brands, social events, and drugs. The opulence is, at times, thrilling to the audience. In Anna’s elite social world, the only concerns that matter are rooted in the superficial: who can deliver the most elaborate Valentine’s gift, throw the best parties, or cause the most dramatic scandal? However, when juxtaposed against the plights of a poorer character, Dustin, the once electrifying luxury becomes sickening in its waste. The luxury cars and Gucci gifts are no longer exciting, but excessive.
While ensconced in this wealth, Anna and her friends wrestle with high school politics that will be familiar to teen readers as they strive to assert identities distinct from their parents'. Kimmie, for example, realizes the shallowness of interactions based around class status after seeking professional treatment for depression. Although Anna recognizes that having an affair is morally wrong, her romance with Vronsky also allows her to accept that she deserves to control her own love and happiness.
The glimpse that Anna K. provides into the upper echelons of society serves as an interesting backdrop to examine gender expectations in both Korean communities and society more broadly. I took a particular interest in Lee’s approach to this subject because of my own background. My mother is a Korean immigrant, and, like the heroine Anna, I am biracial.
Lee’s discussion of sexism in Korean communities is a bit more heavy-handed, but unflinching in its depiction. Anna, though intelligent in her own right and largely considered to be an “obedient” Korean daughter, receives worse treatment from her parents than her older brother Steven. Steven regularly overspends family money and skips classes, but persistent patriarchal and hierarchical norms enable him to remain a respected son and anticipated future leader of the family. Both Anna and Steven have affairs. Yet only the older brother manages to recover his relationship and reputation with community support, while Anna faces pointed parental disapproval and social rejection. The protagonist must confront the fact that “Steven’s father’s pride was fierce, and his Korean heritage was deeply ingrained.”
Where Anna K. stumbles is in attempting to engage teenagers’ lingo. Many of the teen characters speak primarily in hashtags and acronyms, which comes off as awkward and unacquinated, especially for a young adult audience. In a description of Anna’s social circle, for example, Lee writes that “nearly everyone in this bunch had cheated on bfs or gfs before.” When a student manages to endure a full class schedule, one lazy character remarks, “Damn, you can do two classes in a row? Hashtag ballerbitch.” The teenagers exclusively refer to Valentine’s Day as “V-Day.”
Still, Lee undeniably presents a coming-of-age story that will intrigue both fans of Tolstoy's Anna Karenina and readers unfamiliar with the original story. Through challenges and tragedy, the imperfect heroine learns that she has power over her own choices, for better and for worse.
- ★★★ -
About the Author: Jenny Lee is a television writer and producer who has worked on BET’s Boomerang, IFC’s Brockmire, Freeform’s Young & Hungry, and the Disney Channel’s number-one-rated kids' show, Shake It Up. Jenny is the author of four humor essay collections and two middle grade novels. Anna K: A Love Story is her debut YA novel. She lives in Los Angeles with her husband and 135-pound Newfoundland, Gemma (and yes, it’s a toss-up on who's walking who every day). Instagram: @jennyleewrites

Fantastic review! It looks like the author offers great insight.
ReplyDeleteThanks Kimberly!
DeleteThis looks like one I'd enjoy! Great review!
ReplyDeleteThanks Sherry!
DeleteI saw one of my favourite celebrities tweet about this book, and I got really excited about it! Tbh I know very little about Anna Karenina, but I am always happy to read a retelling. Although, I also agree that it is super annoying when authors write teenagers to speak constantly in text language. No teenagers I know talk or even text that way.
ReplyDeleteYes! Text-speak is starting to become one of my biggest pet peeves in YA books. When it's mixed into teen dialogue it sounds unnatural, and when it's presented as texts from the characters the abbreviations are too often way overdone ("h3ll0"-type mixes that do not imitate natural texting *at all*).
DeleteI never read Anna Karenina, but nice to hear this was a decent coming of age story with hint of AK. Fab review!
ReplyDeleteThanks Rachel!
DeleteI'm always curious by retelling and I can say that it's the first time I hear about this one
ReplyDeleteI would definitely recommend it to you!
DeleteI've seen this one around quite a bit on Instagram and the synopsis sounded wonderful but hindered by the author trying to make her characters relatable and sounded a little forced. I can't remember anyone using the term original gangster. I like that it explores culture and how the other half live, reminding me a little of Crazy Rich Asians and Frankly in Love. Still interested to give this one a read. Brilliant review Claire, really enjoyed it.
ReplyDeleteThank you! Yeah, I was a bit put off by how the book portrayed the way teenagers speak in general. Anna K's biggest strength by far, though, is how it layers multiple areas of commentary, and I think that really is what makes it worth a read. I've heard a lot of praise for Frankly in Love, so I may need to read that soon!
DeleteI loved the original story, so this version definitely appeals to me! That's too bad that her writing of teens felt a bit out of touch though--I think that would be extremely challenging, but pretty essential for a book like this one that has a classic at its roots. I still may have to give it a try though (and since I'm no longer a teen maybe I wouldn't notice that as much, ha!)
ReplyDeleteHaha, I would recommend giving it a try! The author includes a lot of nods to the original story from the start with similarly named characters and even the reference in the first sentence I quoted above.
DeleteIt's always tough when the language feels forced or out of place. It's one of the things that bothered me about Frankly in Love -- the conversations didn't feel realistic. The main character would say things that made no sense, and felt like he was trying too hard to be cool? IDK. I've seen this book around, but didn't think it would be a good fit. After reading your review, I think I made the right call. <3
ReplyDeleteLindsi @ Do You Dog-ear? 💬
Thanks for stopping by Lindsi! I've heard a lot of praise for Frankly in Love, so it's disappointing to hear that it fell into unnatural dialogue/interactions for its teenage characters.
DeleteWonderful review! I have this one on my shelf and am looking forward to reading it. It sounds like it was pretty good despite a few issues.
ReplyDeleteI hope you enjoy reading it Carole!
DeleteGreat review!
ReplyDelete(wwww.evelynreads.com)
Thanks Evelyn!
DeleteThis sounds sooooooo good!
ReplyDeleteI would def recommend it to you!
Delete